Step into the Ring

Wednesday 21 May 2014

REVIEW CORNER: WWE PRESENTS WRESTLING'S GREATEST FACTIONS DVD AND BLU-RAY



 

 A – Excellent


 B – Good


 C – Mediocre


 D – Avoid 









Release Date: May 26th 2014

Available From: www.wwedvd.co.uk

Price:
DVD £ 19.99
Blu-ray £ 22.99
(Prices from www.wwedvd.co.uk: high street prices will vary)

Format Reviewed: DVD (3 Discs)
(Also Available on Blu-ray (2 Discs)

What It’s About:

WWE’s attempt to sum up the industry’s greatest factions / stables / groups in a three disc DVD and two disc Blu-ray, with a short video package designed to give background information compiling archive footage and a host of talking heads, as well as one match from each faction’s time between the ropes.

Strengths:

The Right to Censor: though the faction doesn’t warrant an inclusion on a release of this nature, the segment documenting The Right to Censor is the first real in depth segment of a release which gets off to a very poor beginning. Though it doesn’t feature an interview with any of the original members, Charles Wright is said to detest everything about that time in his career, there are a host of talking heads who cover well for the lack of actual members on display. William Regal adds some much needed light relief when referring to the time the faction was around as being ‘Prim and Proper’ and for the first time in nearly thirty minutes, Jerry Lawler is the first person interviewed who even attempts to delve into any backstory for any faction featured, even though we get only the basics as he informs us the group attempted to recruit characters who were deemed inappropriate. It may not sound much, but once you’ve sat through nearly forty minutes of nothing in particular for half an hour it seems like a huge moment. However, out of the talking heads it’s A.J Lee who shines brightest with her quirky interview technique and expressions. Her enthusiasm for women’s wrestling and Ivory in particular is infectious and she’s a scream with the reaction and line “I just really remember hating Steven Richards face!” It’s ironic. A lot of the teams who belong on this list get very little depth added to them. It’s the ones who should have been omitted that get the best coverage.

The Right to Censor vs Too Cool (SummerSlam 2000, August 27th 2000) is a breath of fresh air when it comes along, not to mention a well constructed and exciting six man tag team match which plays to the group in questions strengths even though it didn’t include the best wrestlers on the roster. Steven Richards is faultless here and puts in one of his more memorable WWE performances in a part of his career which is best forgotten. The action flows to almost perfection and Too Cool and Rikishi are so good that it goes a long way to highlighting what today’s tag team division is missing. Rikishi himself is a tour de force and it’s easy now he’s no longer around to forget what a great wrestler he really was. If he can still go in the ring in 2014 then WWE may want to think about rehiring him. Some of the stuff he did for younger talent was above and beyond. The ending is timed to perfection to put the icing on a very scrumptious cake.

The Fabulous Freebirds: is the best video package on a faction included on the first disc (DVD). Casting away the sickly sweet and often pointless comments from elsewhere, this section is cold, hard fact with people who actually know what they’re talking about. Enjoy it whilst it lasts, it doesn’t last long. The most organic piece up to its inclusion, every comment here is meant and it’s wonderful to finally hear the great Michael Hayes and Terry Gordy get the recognition they deserve from all interviewed. The footage compiled with the sit down interviews is of the highest class and those not readily familiar with the group should have no problem seeing why they were so popular if so hated during their time. Thankfully, WWE instructs its talking heads to give some background on the match to follow and we get a good insight into the Freebirds vs Von Erich’s feud from Michael Hayes himself as well as those who lived through it on a daily basis. Once again, it’s A.J Lee who provides the laughs when the attention turns to a little known stint Michael Hayes undertook in the early eighties when he for a week he turned singer. The footage of Hayes in a blue vest top singing is commented on by A.J who says that when you receive that via text at three o’clock in the morning, it’s almost impossible to get it out of your head. Great stuff.

The Fabulous Freebirds and Jimmy Garvin vs The Von Erich’s and Iceman King Parsons (World Class Championship Wrestling, May 1983) won’t thrill everyone and those newer fans will find this a chore to get through seeing as they’ve been fed a steady diet of crap for years, however, the long time fans will eat this match up with good reason. Maybe not the greatest outing the two warring factions ever had, but this won’t disappoint. As an all out brawl of an elimination match there’s nothing slow and dawdling here until it approaches the final four. It is hard to pick out the wrestling because of the mass of action but there’s always something watch. Granted, the bout drags on too long once it comes down the last four men and the booking team got the pace the wrong way around. Had this been a longer all out brawl and shorter finale it would have been much better. However this is a treat for any long time fan.

The Dangerous Alliance: most people will watch this and ponder why the faction deserves its place on this list. Unless you saw them in action you probably won’t understand why. However, this is one of the best segments on the whole release thanks to the sheer effort Paul Heyman goes to in order to fill in those who may not know much about the faction and provide some insight even the most hardcore fan may not know. Exploring the origin of the faction, Paul Heyman is in his best Jackanory mode as he tells of how the faction came to obtain its name with him showboating his ego to WCW management before spinning us an interesting and as far as I’m aware untold yarn about the faction only coming to existence as a vehicle for Rick Rude whom WCW prized away from WWF at great expense. Heyman speaks on his desire and intention to groom Steve Austin a star whilst they were together in WCW, not something you’d hear from every manager and it’s something he went a long way to doing in ECW. Natalya hits the nail right on the head when she says that Paul Heyman is one of the best managers and talkers in the world whilst Steve Austin perhaps sums up Heyman best with the sentence, “Paul Heyman could take a deaf mute and make him into a walking, talking promo machine’. The only down point here is Dean Ambrose as a talking head; as throughout the release he looks like he’s just had a smack on the head. Someone wake him up please. This whets the whistle for the much anticipated ‘Hello, My Name is Paul Heyman’ release this summer.

‘Stunning’ Steve Austin and ‘Beautiful’ Bobby Eaton vs Sting and Marcus Bagwell (World Championship Wrestling, January 18th 1992) is a very good tag team encounter which showcases The Dangerously Alliance to perfection whilst also highlighting how god Sting had actually became in a very short time. It’s nice to see how young and flexible Bagwell used to be before he took to the steroids and piled on the muscles which inhibited him as a performer. Lively and tense, the bout is at its best when its Sting vs Austin, a main event feud in the making but one which never came about thanks to Eric Bischoff. The rabid fans make this match all the more watchable, their enthusiasm harks back to what wrestling used to be about and watch the moment when Sting is held in the corner by the entire Dangerously Alliance at the conclusion as Bagwell is being decimated, closely. His drive and valiant effort to get to his partner sums up why Sting was such a hero to children in those times.

The Hart Foundation: undoubtedly, the Bret Hart led Hart Foundation deserve a spot here maybe more than most of the factions included. However the video package and segment gets off to a baffling and bad start courtesy of Natalya who shows a breathtaking lack of knowledge about her own family. Natty expels her belief that The Hart Foundation began in 1997 when Bret interrupted a match between The British Bulldog and Owen Hart, pleading with them and telling them they needed each other. She’s wrong. In fact she’s so wrong it’s disappointing. For anyone with even the briefest of wrestling knowledge, The Hart Foundation began in 1985 when Bret Hart and Jim Neidhart teamed together for the first time under the name. That is where the group originated from. However, the team of Bret Hart and The Anvil isn’t even mentioned, as if it never existed. Come to think of it, Jim Neidhart is barely shown or mentioned either thanks to his antics in the past which made him less than PG era friendly. Thankfully, the segment takes a brighter turn from this point, taking in Bret Hart’s heel turn which is beautiful summed up by Seth Rollins who says, “Bret Hart never changed. It was the world which changed around him”, and of course he’s correct. As wrestling fans do, we turned out back on Bret Hart when something better in Austin came along. We’re a wicked bunch. Dean Ambrose makes amends for his lacklustre contribution and actually looks awake for once when he touches upon the face and heel divide in Canada and USA which greeted Hart with different reactions by saying about Americans, with tongue in cheek, “We are horrible” and then with a knowing look thumps the air with an unexcited ‘USA’ chant. Bret Hart of course is the main talking head featured and admits this was his favourite time to be a wrestler.

Bret Hart, Owen Hart and The British Bulldog vs The Undertaker, Stone Cold Steve Austin and Dude Love (Raw, July 21st 1997) is a solid six man tag team Flag Match which features two flags pointing the wring way on massive poles, making the retrieval of them almost impossible. All six men hold the match together well and there are some classy counters and reversals on display. It’s an incredibly heated bout thanks to taking place in Canada, it’s also interesting to see the faces turned heel for night and vice versa. The match is just what we need to end the first disc (DVD), whilst it’s also a treat to see Owen Hart included once again. Isn’t it about time he and The Bulldog got a release of their own? WWE wouldn’t need his wife’s permission should they decide to make the release about Owen Hart the wrestler and not the man. A collection of his greatest matches would be excellent.

 NWO: is a segment not rich in history but gets away with some in depth footage of the factions time in WCW, beginning with Hulk Hogan’s heel turn which we haven’t seen the last of this year, complete with interviews with the members of which only Kevin Nash’s is recorded especially for this release. All the others with Hogan, Scott Hall and Eric Bischoff are taken from a release in 2002 and have been included on many other media outputs WWE have shoved down our throat, so there’s nothing new to be had from them unfortunately. Thankfully, the rest of the talking heads do enough covering for this and though we get the bare minimum on the genesis of the group with a bare bones explanation that WCW needed something huge to beat WWE in the Monday Night Wars and Triple H saying that WWE nearly went out of business, which isn’t true as it turns out, it’s all very hush-hush about the ideas behind the faction. It wouldn’t have taken WWE a great deal of imagination to pay Eric Bischoff some dosh to speak in depth about his idea and creation and with Hulk Hogan now back in the saddle this could have seemed a whole new take on the group. Daniel Bryan provides the thoughts of the audience when he says “When Hogan went dark, it was the first time I’d been interested in him for years” and it will provide enough information for fans not clued up on the group but like DX, there really is nothing else which can be said about the faction. It’s time to leave it alone.

The Nation of Domination: is a very good segment which may be backed up by seen it all before footage, but its strengths are in its talking heads which consist mostly of WWE’s black roster. Kofi Kingston and Seth Rollins are on form when they state that the Nation were so diverse because they were the first group consisted solely of black power in society and they’re correct. There had never been anything like the Nation in wrestling before and that’s why the group was so good, at least for the beginning. After Seth Rollins rightly states that the faction allowed its members to do something different, which it did, every one of them were cartoon characters going nowhere before joining forces, the segment moves swiftly on to the feud within the group between The Rock and Farooq with Ron Simmons taking over talking head duties and it’s heartening to see him look so well post wrestling. Road Dogg righty states, though it’s no secret, that The Rock outgrew the faction but there’s nothing here that says the Nation were solely responsible for The Rock’s cataclysmic rise to stardom. Had he never joined the faction, he would have continued on the path he was going down and eventually burnt out with the fans. If this much effort had been put into the rest of the factions, this may have been an essential purchase.

The Nation of Domination vs D-Generation X (Over the Edge 1998, May 31st 1998) begins slow and dips in the middle with audible chants of ‘boring’ but on the whole it isn’t the worst six man tag team match in the world. It features some slick action courtesy of Triple H and Owen Hart; however it features three Nation members (Kharma, D-Lo Brown and Owen Hart) who aren’t the focus of the previous segment on the group. Why put the emphasis on The Rock and Farooq when detailing the faction and not include a match which features them? This is much better than the offering we got for DX which opened the release.

Blue World Order: they aren’t a faction you would generally associate with a title such as this release boasts and those who have no idea whom they are will be left in no doubt how important these were to ECW in the late 1990’s. A parody on the NWO, Steven Richards, Nova and The Blue Meanie did everything the NWO did but with more fun and their stint may have been frowned upon by many but it was great fun whilst it lasted. Here it’s covered with joy by Paul Heyman when he says that he can’t believe he made money on a concept which was nothing but ridiculous. The footage provided, of Richards super kicking a Santa Claus plus more is first class though it’s up to you to decide whether the group warrants a place on this list.

Stevie Richards vs Axel Rotten (ECW Hardcore TV 194, January 7th 1997) is an entertaining jaunt though it won’t win any awards for its action in the ring. What we have here is a routine ECW singles match without the hardcore action but the reversals are very good and Richards flows with ease against a man who is more comfortable with glass taped to his fists. It’s a shame more wasn’t made of him, he could have been a huge star had someone really pushed him to the top. It’s short but it’s worth the watch.

The Corporation vs Stone Cole Steve Austin (Raw, February 8th 1999) is billed as a Gauntlet match though it throws the rules out of the window and becomes an ‘anything goes’ when Corporation members get themselves willingly disqualified just to keep Austin under pressure. It’s a good, if short bout and could have gave way for something more worthy but this is what WWE decided we wanted to see, how kind of them. The rules are simple, if Austin pins any one member of the faction he gets McMahon in a cage at St. Valentines Day Massacre however things take a confusing turn when McMahon’s men risk all getting disqualified when Bossman uses a nightstick willingly in front of the referee who does nothing to stop him before they pile onto Austin. The match ends with the infamous scene of McMahon standing over a seat Austin in the corner, berating him.

Evolution: begins with a fresh interview with Ric Flair instead of one taken from other releases which is common with wrestling’s biggest names here. Flair has a sparkle in his eye when talking about what a great time he had with the faction and how it was like the reincarnation of the Four Horsemen. It’s refreshing to hear Batista admit that he needed the coverage that a role in Evolution gave him and how vital it was for his career and growth to be the centre of something so important. Surprisingly, Randy Orton, who had a wealth of more talent than Batista but was treated like a second class citizen by Triple H throughout the run in favour of ‘The Animal’ admits that he didn’t believe he had the ‘it factor’. Sadly, whilst the admissions set this apart from the usual formula on show here there is nothing on how notoriously selfish Triple H was during this time and this would have been amongst the best segments on the entire release had either Triple H came out and admitted he could have done more Randy Orton, Batista told us that he was given preferential treatment by WWE and Triple H because of his friendship with ‘The Game’ whilst Orton and Hunter didn’t see eye to eye or Randy Orton himself slammed Triple H for the way he stalled the then ‘Legend Killer’s’ career. As far as the group as an entity goes, Dean Ambrose sums up the faction well with a brief description of each role whilst Natalya offers the opinion Armageddon 2003 was the groups shining moment, because they all won gold that night. She may have a case, but surely the golden moment of Evolution was the creation of two new mega stars or the night Randy Orton defeated Chris Benoit for the World Heavyweight Championship at SummerSlam 2004? That night, the faction truly succeeded without three of the four being present. It’s a well put together video package for a group who deserve their placement because of what it achieved in the long run. However one can’t shake the feeling it would have been better had WWE deviated from the well worn path and put together a time line from beginning to end in order to get over the faction better.

Triple H, Ric Flair and Randy Orton vs The Dudley Boyz (Raw, July 14th 2003) is a well done six man tag team elimination match even if The Dudley Boyz don’t stand any real chance of victory. Evolution dominate for the most part but everyone puts in a shift and the whole bout, as it should be, is manufactured around the success of Randy Orton. The Dudley Boyz remind us of how good they were as a team and Bubba Ray shows some of that quality which he now exhibits on a regular basis in TNA. Ric Flair is very game and Bubba’s valiant performance is a nice way to end the bout when it’s clear he’s fighting a losing battle but never concedes until the very end. However, to prevent them from looking like Evolution’s whipping boys and to extenuate Randy Orton’s rise both Triple H and Ric Flair should have been eliminated leaving Orton to pick up the win single handedly.

The Triple Threat: I don’t know if I would call the trio one of the greatest in wrestling history, but there’s no denying this coverage of the trio is of the highest quality. Paul Heyman admits he was never a fan of the concept as he believed it would come off as Shane Douglas trying to his own version of The Four Horsemen, but tells of how he was eventually sold on the idea of all three pushing each other to attain a level of performance that may otherwise have been beyond their reach. This is a wonderfully informative moment. Tommy Dreamer drops some background on Shane Douglas and informs those who may not know that he was very angry at wrestling politics which held him back in other companies but his real life hatred of WWE and Ric Flair in particular is barely touched upon when it should have been as it was the main reason behind the formation of this group. Joey Styles does something here no one has done on any release ever and gives the late Chris Candido some much overdue credit for being a workhorse and for those who didn’t see his ECW days, he was a million times better than the Skip character WWE fans will remember him for; it’s also a highlight when Curtis Hawkins of all people admits Candido is underrated. You see, it doesn’t take much to make something special and that feeling is capped off by Tommy Dreamer who comments on the third member of the group by crediting Bam Bam Bigelow for being one of the best big men in the business. Something wrestling fans may not know, which comes via Paul Heyman is that Bigelow burned his bridges with both WWE and WCW, something even your Wrestling God wasn’t aware of, and is a great piece of information on a release which seems aimed solely at keeping this kind of stuff behind closed doors. Why is this segment so strong you may ask. Well, apart from the truthful sentiments, it’s also the first time on this release and maybe a release for many months where a former booker has analysed one of his creations and truthfully told us on camera, that he didn’t believe it was a good idea.

Shane Douglas and Bam Bam Bigelow vs Rob Van Dam and Sabu (ECW CyberSlam, February 21st 1998) isn’t the greatest ECW match you’ll ever see and you could certainly hunt out better on ‘ECW Unreleased volumes 1 and 2’ but for what it is and amongst so many turds, it’s ample enough to sooth any wounds left by this release. Getting off to a flying start with Rob Van Dam and Shane Douglas the bout turns into the usual free for all brawl we came to expect from the company. The quality isn’t great either as there are some clear audio issues with the footage, listen carefully and when anyone is talking within the ring, not including Styles on commentary, there’s a horrible and somewhat distraction echo. Still, the match quality itself manages to keep throughout the bout and there is some very good team work from RVD and Sabu despite the outing being sloppy in places. RVD’s flying reverse hurricanrana looks divine and does his missed spinning kicks, which sees him straddled the top rope allowing Bigelow to hurl Sabu at him in a great looking segment.

Legacy vs Triple H, Batista and Shane McMahon (Backlash 2009, April 27th 2009) is a stunning six man tag team match which was everything Triple H vs Randy Orton at WrestleMania XXV should have been. For maybe one of the only times whilst a part of the group, Rhodes and Dibiase look like true stars whilst Randy Orton executes his heel character to perfection not that that stops the fans cheering for him. We love a rebel. The in ring action is crisp and just some of the best on the release whilst Triple H goes a long way to righting some wrongs he committed in 2004. The match ending segment is so good it’ll make your mouth water whilst the fans reaction to Orton’s win and capture of the WWE Championship is a huge turning point in fan interaction when we began cheering the heels and jeering the faces.

The Four Horsemen: naturally, the Ric Flair led group deserve their place on this release more than any other featured. Literally the greatest faction to ever be conceived in the wrestling industry, it would have been criminal to leave them out. Thankfully, the faction get the treatment they have earned over the years and the final segment sees this release go out on a high. Ric Flair begins proceedings by delving into the origin on the group and informing us where the name came from crediting Arn Anderson for thinking of it at a television taping as well as the hand gesture. It may not be the most in depth explanation but he tries, more so than others do here. Daniel Bryan couldn’t be more correct when says the reason the group was so special was because each member was excellent. Even Tully Blanchard was a brilliant wrestler, something you don’t always get with a stable. The sentiments keep coming but Flair’s group have more than earned them, with Booker T calling the group a dynasty before Gene Okerlund provides the humour stating the thing you needed to keep up with or be a Horseman was a strong liver. The limos and planes the group used to roll around in are mentioned but it’s not offered those were one of the reasons Jim Crockett lost his company which may not have been needed but would have been a nice piece of wrestling trivia, something we don’t get a lot of with wrestling media these days. Finally, Jerry Lawler has the last say by simply calling the Four Horsemen the greatest faction to ever reign in wrestling and crediting them for laying the groundwork for every faction to come. Excellent.

 Ric Flair, Tully Blanchard and Arn Anderson vs Sting, Lex Luger and Barry Windham (NWA Main Event, April 3rd 1988) is a solid effort in which even Barry Windham looks good despite his clumsy moments. The footage begins with Arn Anderson stating in an interview before the match that “the only way to get to the present is to go through the past”, a comment Vince McMahon may want to heed. It wouldn’t hurt him to take a look back on how he used to make stars and incorporate that into the present. As for the bout, it’s a tense and competent outing which really comes to end when Ric Flair is on the receiving end of a beating. Sting is also very good here, though one doubts it wouldn’t matter if he wasn’t. He’s so over the fans enthusiasm covers for any potential flaw in his arsenal.

Weaknesses:

D-Generation X: this is the first segment included on the release and unfortunately sets the tone for most of what’s to come. Though the group undoubtedly deserve a place on this list, you wouldn’t know it from the segment. Watered down and with no real meaning, what we get here isn’t an in depth insight to the creation of the group or the friendship which lead to the formation, instead we’re made to settle for awful and meaningless comments from DX members and those who think they still matter in wrestling. Such nuggets of priceless information include the awe inspiring, “X-Pac had the Bronco Buster” and “We tore it up every night”. Wow, thanks guys. This seems more like an attempt for several middle aged guys to relive their glory days instead of adding something to their legacy which could surprise us or enthrall us. There’s nothing here you wouldn’t have heard before unless you live in a cave and it’s a wasted opportunity to delve deeper behind the scenes and explore unchartered waters. Though I will say, in 2014, is there anything else that can be said about DX?

DX vs The Corporation (Raw, January 11th 1999) is the Corporation Battle Royal to determine the number thirty entrant for the upcoming Royal Rumble. Sadly though, that’s its only drawing point as it’s a poor excuse for a battle royal. Beginning at a crawl, the match struggles to up the pace and goes through its entrants with brevity and without any real cause for them to be there. X-Pac and Test share a decent reversal which leads to an elimination and Vince McMahon’s participation reels the audience back in but it’s only really notable for Chyna and her elimination of Vince McMahon at the death. There were so many more matches, better than this which could have been included.

The Heenan Family: whilst like DX, Bobby Heenan’s men deserve their inclusion; the segment on them is comically bad. Instead of going for the realism of the situation which Bobby Heenan was all about, WWE instead sugar the pill so much if it were a real life treat you’d come down with diabetes. Every comment sounds forced and are delivered by wrestlers who weren’t around at the time so we get their interpretation of events. Ted Dibiase is interviewed for this release so why not allow him to comment, he was around for the duration of the faction. It’s madness. Brodus Clay reels off one of the most confusing and ridiculous comments on any WWE release ever when he states, “What made The Heenan Family stand out, except the sparkle in my eye every time they came on television?” What does that even mean? Whilst Josh Matthews reels off a list of adjectives instead of giving any insight at all, why he’s here I will never know. He may be a great host but as a talking head I want to punch him until he bleeds especially when says the faction was filled with the best wrestlers around. It really wasn’t, unless you class King Kong Bundy, Paul Orndorff, Big John Studd and Hercules not to mention several others as the best wrestlers to ever step into a ring. Dean Ambrose should be stopped from talking on any WWE release every again as he looks half asleep and on something which makes his speech slur whilst Paul Heyman talks about Heenan’s antics like they’re real. Only Gene Okerlund speaks the truth when he says what really made the faction special was Heenan, but sadly ruins himself by referring to The Heenan Family as the greatest faction of all time. They were good later in the run which isn’t covered, but not the greatest.

Bobby Heenan, Big John Studd and King Kong Bundy vs The Machines (The Big Event, August 28th 1986) is just terrible. I know it was 1986 and big men were the main interest of every promoter, but this is just horrendous to watch. Despite there being a lack of anything except many, many slam attempts which never come off, The Machines are announced as hailing from Japan when it’s obvious to anyone with eyes one of them is Andre the Giant who hailed from Grenoble, France. Even Bobby Heenan can’t save this mess and it leaves you wondering why WWE included it when there were so many more matches featuring later members like Mr. Perfect and Rick Rude which would have been better included, especially after messing up the coverage of the faction.

Nexus: now let me guess this straight. On a release entitles ‘WWE Presents Wrestling’s Greatest Factions’ and it’s the world ‘Greatest’ we’re concentrating on here, WWE truly believes the Wade Barrett led 2010 flash in the pan belongs here? The same Nexus that were single handedly dismantled in one night at SummerSlam 2010 by John Cena and his ineptitude? I guess it tells you everything you need to know about WWE’s judgment. Seriously, Nexus belong so far away from this release I can’t even begin to tell you. Maybe had John Cena put them over to the point they were untouchable a place here would have been deserved, but now, not in a million years. It’s an attempt to flesh out the run time and it shows. Amongst the trash the talking heads spout is the most infuriating comments possibly of the entire release when the WWE locker room come out in force and act as if they had no idea the invasion was coming. Kofi Kingston states “When I saw Nexus come out, I didn’t know what to think”, whilst Michael Cole who should know better and bare in mind this is the Michael Cole who as lead commentator on Raw and Smackdown is required to attend every production meeting before a show so he knows what’s coming tries to makes us think wrestling is real again by stating, “It took a bit to figure out what was going on. We knew them from NXT but what the hell was going on out here”. Comments like this are rife through the laughable segment which is almost as funny as the group’s inclusion. David Otunga provides a sense of truth here when he states John Cena was the perfect first target because he was, and had he been willing to help make these young guns then he’d have been an even better target, but he wasn’t. The segment is awful and then Fandango turns up and you know from that point on WWE are now having a laugh with us right up to the point where Darren Young states his belief that had the original seven stuck together, they could have been huge. Maybe he’s right, they could have been huge had they not run into the Cena-roadblock.

Nexus vs John Cena, Sheamus, Randy Orton, Edge and Chris Jericho (Raw, August 30th 2010) is almost all lifeless. Randy Orton and Sheamus struggle to restore any kind of life to the bout because quite simply, the damage has been done already. John Cena wastes Michael Tarver like he’s nothing but Sheamus tries to make up for that by selling non-stop for the NXT rookies. It isn’t enough. At this point in the release we need something stunning to pick us up and this isn’t it. As per usual, John Cena runs through Heath Slater without a care and if anyone disputes John Cena ruined Nexus then look at this and SummerSlam to see how he treated them. Though I will give him credit, he did look at the lights for Justin Gabriel who was then, with Michael Tarver eliminated without care by Randy Orton before Wade Barrett pinned Orton for the victory. By this time, WWE had lost interest in the faction as had we. This is only notable for the final few minutes.

Bret Hart, Hulk Hogan and Stevie Ray vs Diamond Dallas Page, Roddy Piper and The Ultimate Warrior vs Sting, Kevin Nash and Lex Luger (Fall Brawl, September 13th 1998) is billed as every man for himself with the winner receiving a shot at the WCW Heavyweight Champion, Goldberg. However it would have been a better idea for WCW to book this as a nine man free for all WarGames instead of making it teams, who wrestle each other anyway. Bret Hart and DDP start the match with a good back and forth tussle but the bout takes a turn for the worse when Stevie Ray enters first. Ray, formerly of Harlem Heat adds nothing to a stoic match up which borders on dull but is pulled back from the edge by Hart and DDP who provide the majority of the best action when combating each other. Sting receives a huge ovation and completes the obligatory dive over both rings which by this time in the release has become just another spot. Though here, Sting botches the moves and nearly lands on his head. The match takes a welcome and different turn when the ring fills with smoke and when it clears an Ultimate Warrior imposter is standing in the centre of ring 1. The imposter takes a beating when the ring fills with smoke again. When the smoke clears the imposter is gone and Warrior comes tearing down the aisle to huge approval. The problem I have with this is that the commentators don’t acknowledge the imposter instead trying to make us believe that Warrior somehow got from the ring into the back without anyone seeing him in mere seconds. A claim which would be much more plausible if the imposter wasn’t visible several times on camera between the two rings after Warrior enters the match. Bizarrely, referees separate Hulk Hogan and Ultimate Warrior as they fight up the aisle, yet they were both apart of the match so why separate the pair? This is mostly dull with repetitious action going around in circles.

The Brood: do they really deserve an inclusion here? To my recollection the faction as a one hit wonder and if WWE had to put Edge and Christian on the release I would have much preferred to see their group with Kurt Angle or Rhino instead of the vampire wannabes. They didn’t do much in their time and with a still green Edge and Christian it was limited at best. Edge is interviewed especially for this release though he may as well not have bothered for all the coverage he gets and his biggest contribution is a very swift story in which he tells of buying various and numerous vampire books to study for the role. Money well spent there then. This goes over the bare basics and nothing else as WWE try to convince us how scary the group were when they really weren’t. The footage of Edge’s early promos are cringe worthy and forced whilst Christian treats us to the most boring play by play in the world of The Brood’s entrance. Natalya strikes again on this release with the laughable statement “The Brood are one of the greatest factions in wrestling history”. They’re really not and like other unworthy entries, this is filler.

The Brood vs The JOB Squad (Rock Bottom, December 13th 1998) is a by the numbers affair which really begins to stink halfway through. Fans are bored with it by the fifth minute and with good reason. With so much raw talent in the ring this should have been a highlight of the show but instead it conformed to everything else which had been and provided nothing spectacular. Slow, unsteady and wearing with long rest holds which zap all the life from the bout, maybe this would have been a great outing had WWE allowed Gangrel and Scorpio more time to fight but they get a secondary role. It tries too hard to be interesting too late and never pulls off that ‘must see’ feeling.

The Million Dollar Corporation: yes, this faction deserves its place on this list without a doubt but the segment which represents it has to be one of the worst on the entire release. Instead of an insight as we got from Paul Heyman on The Dangerous Alliance, Ted Dibiase may have well as stayed at home. He says about five words and then he’s forgotten about. David Otunga begins proceedings with the statement that the group had amazing wrestlers in it when in actual fact it featured Tatanka, Nikolai Volkoff, Kharma, King Kong Bundy and other who couldn’t string a move set together if they were shown how to do it, whilst everyone else seems more bothered talking about how Dibiase could buy anyone he wanted and that everyone has their price. Damien Sandow even goes to the lengths to say everyone will sell out and they know they will. By this time you’ll be pleading for them all to shut up. There is nothing of value here and nothing on how good Dibiase was. The highlight of the segment is Dibiase doing his trademark laugh.

The Million Dollar Corporation vs Lex Luger, Mable, The Smoking Guns and Adam Bomb (Survivor Series 1994, November 23rd 1994) could possibly be on the worst choices for matches WWE could have included. It’s boring in the extreme and centred around the Lex Luger vs Tatanka feud which held very little interest at the time, that fact makes everyone else seems pointless and unimportant. This may have happened during the golden era of wrestling but there’s very little golden about this. It’s sluggish in the extreme and with so many big men in the ring it never stood a chance. Instead of cutting through the field to get down to business, this goes on and on and lasts way too long to keep anyone’s interest.

The Corporation: it was always going to be included seeing as the faction was lead by the owner of the company, but again this is a wasted opportunity. Talking heads include no one of any importance and like so many releases the owner couldn’t be bother to take the short trip from his office to one of his studios in the same building in order to speak on his time as leader. Instead of concentrating on the group which is what this is meant to be about, the attention turns too quickly to the feud with Steve Austin which has been covered to death and the feud between Austin and The Rock completely leaving out anything important about the faction itself. Ryback says “the boss is in charge” because we would never have guessed that before following it up with “he tells you how to think, what to do, what to say and how to walk”, yep, that sounds like Vince McMahon. If you want some insight on the group or even why it was created then you may as well skip this completely to avoid disappointment.

The Oddities: really? The Oddities! WWE are taking the piss with this inclusion and it’s never more apparent of how the company wanted to fill the time than here. The group were crap, literally the pits. For those who don’t remember, the wrestling side was mostly comprised of Kurgan who made the transition from The Truth Commission to this to Hollywood and Golga who was the late John ‘Earthquake’ Tenta in a mask in his slimmer and last years. To add to the insult that WWE believe we are morons by including this, Brodus Clay seems to have given up any hope of being relevant when he offers up the nugget of information of, “a big guy came out, then a more bigger guy”. Every talking head here are more bothered about getting over how much fun the group had and were which they weren’t, rather than providing a reason why they should be included on this release. Though to be fair, a reason such as that can never exist so everyone here is just trying to run down time. So they were fun, does that really warrant an inclusion on a release with a title such as this one has? If only The Four Horsemen had told jokes and handed out balloons so they could be as great as these. Give me a break. This is awful.

The Oddities vs Too Much (Shotgun Saturday Night, October 17th 1998) is just as terrible as the previous video package which preceded it. Too Much spend most of the time prancing about the ring and worrying about their faces and if they’re not doing that they’re being crushed by the massive Kurgan and Golga who is the only notable thing about this bout and that’s only because seeing how much weight Earthquake lost is a triumph in itself. Apart from that, this will dull your senses.

Legacy: again, seriously? A group that could have been so revolutionary and historic but ended up being a cheap imitation of Evolution and lost the interest of WWE’s booking committee early on they were buried by John Cena at every available opportunity? What are WWE trying to do? Actually, scratch that question because the answer is pretty obvious with this release; WWE are attempting to cram in every faction they don’t have legitimate beef with. The package does begin with a nice look back at photographs of each member as a child with their fathers which is probably the best thing about this part whilst Randy Orton makes you want to reach through the screen and punch him when he idiotically treats the whole situation as if no one had any control over it and says about Dibiase and Rhodes during matches, “They’d do something stupid and jeopardize the team”. Curt Hawkins has the bare faced cheek to say that Legacy launched Cody Rhodes and Ted Dibiase into the stratosphere; would that be the Ted Dibiase who had a very unmemorable run with Maryse and a gimmick which died twenty years earlier before leaving the company to toil for no money on the independent circuit and the same Cody Rhodes who was hideously buried in a tag team with Damien Sandow before being shoved, with his brother, onto the pre-show and forgotten about? What successes they became. This is kayfabe crap at its very best, or worst depending on how you view it.

The Dungeon of Doom: insert sigh here. And it’s not even the only mistake WWE have made with this release either. In fact it’s just one in a very long line. The absurdity of this inclusion and indeed the release won’t quite hit newer fans who aren’t familiar with this group until they realise it includes some of the worst and most unmemorable wrestlers to ever step into a ring. Kamala, Earthquake, One Man Gang, Barbarian, Meng and Brutus Beefcake to name but a few, of course the majority are under different names, which Mick Foley has the balls to say were and I quote, “all guys who had been valuable assets to the wrestling industry at one time”. If I had a billion pounds, I would willing give it to the first person who could tell me what Kamala ever gave to the industry that was ‘valuable’. As if that wasn’t bad enough, some of the footage complied is hilariously terrible. Consisting mostly of cheesy and cringe worthy film sequences, one features Vader and Kevin Sullivan for which the dialogue would make even the worst writer cringe in his seat and the as for the acting, well let’s just say Tom Cruise can sleep easy at night. The next and maybe most preposterous features Hulk Hogan, who we can thank for this mess seeing as it was he who convinced Eric Bischoff to hire these clowns he calls friends and put together this calamitous group just so he could beat them all, in a dark, foggy and mysterious place trying his best, bless him, to act scared. When Hulk Hogan wakes up on the floor, searches the rocks for a way out and utters the line “Where am I? There’re no Hulkamaniacs here” you can literally feel your soul die and Vince McMahon Sr. Turning in his grave. And it wasn’t even his former company; this was done by the opposition. Hulk Hogan literally got away with professional murder. This whole segment is worse than terrible and made more so by Big E trying to convince us the sequences were creepy. Watch them, they’re like the worst pantomime you will ever see. The segment does cover the Big Show’s wrestling debut, but it’s Chris Jericho who utters the one slither of truth by rightly stating that everyone in the group had a dead end career.

The Hulkamaniacs vs The Dungeon of Doom (Fall Brawl, September 17th 1995) is the pits. Whilst Sting’s slam on an overweight Shark, Shark diving across the two rings and getting caught between both top ropes are small highlights, the whole match runs at a tediously slow pace beginning with The Shark and Zodiac vs Sting. Zodiac’s selling is cringe worthy at best and Sting looks a complete tool when he’s forced to lie on the mat and take the dodgy offence from Shark and Zodiac. What makes this match even more laughable is that features Luger and Hogan on one team – two men who never had the best patter inside the squared circle – against four former WWE rejects, two of them too overweight to do anything of note. Earthquake and Brutus were only hired because they were Hogan’s friends, Meng (who was Haku in WWE) has at least some talent, but it boggles the mind why WCW ever hired Kamala. Sadly Randy Savage and Sting are wasted in this match and not even their skills can save this trash which is embarrassing to watch. Luger blows up super quick, Kamala is repugnant to watch as he waddles around ring and Shark and Zodiac are an embarrassment to wrestling here. Hogan heats up the match on his entry into the match but even his offence is weak in its execution. I still don’t know what WCW were thinking when they came up with this drivel.

The Straight Edged Society: you can see where the third disc (DVD) of this release is going now. Not only don’t C.M Punk’s short lived group belong here, but they’re so far off the mark it’s painful to watch by this point. If you ever had the urge to listen to someone sit there for five minutes and spout more crap than a leaky sewer then you’ll love what the wise and clearly totally blonde Summer Rae has to say. I would convey some of it but it’s all best forgotten especially for those with anger issues. Every talking head speaks on the group as if they were covering a religion and whilst it had a great message, the one being sent out here is less than encouraging. C.M Punk admits he was aiming for a character much like a wrestling preacher but there’s nothing on the origins of the group which would have been a welcome release had Punk come out and said that he was bored of having nothing to do and told of his rebel ways when dealing with McMahon. Those who came from the audience to have their heads shaved are passed off as legitimate people when in reality all were plants. This is another segment which dumbs down and treats its audience like idiots.

The Straight Edged Society vs Big Show (SummerSlam 2010, August 15th 2010) follows a basic formula and is therefore nothing spectacular. Punk’s cowardice is amusing but that’s where the entertainment stops. Big Show decimates the trio before being beaten down by them and making a miraculous and unrealistic comeback to win. Not only is it predictable but to my recollection it’s the only bout in which a featured faction lose. Anyone else but me think that by choosing a match where C.M Punk loses even though his group is featured is WWE sending a message to the Straight Edge Saviour?

Blu-ray Exclusive Extras:

The Wyatt Family
TLC – December 15th 2012
The Wyatt Family vs Daniel Bryan

The Spirit Squad
Raw – April 3rd 2006
The Spirit Squad vs Kane and Big Show

The Shield
TLC – December 16th 2012
The Shield vs Ryback and Team Hell No

Conclusion:

When ‘WWE Presents Wrestling’s Greatest Factions’ was announced for release, your Wrestling God had such high hopes this was going to be an in depth look at only the greatest factions the industry had produced with extensive interviews from those who lived through the times and profited from them. Sadly, that’s not what WWE have given us. With it’s short video packages and talking heads of which seventy percent have nothing interesting to say, this very much resembles WWE’s previous release of it’s greatest rivalries in that it looks thrown together without any great thought at all.

Not only does it have an uneven balance to the layout, as some such as Paul Heyman are willing to go behind the scenes and break kayfabe whilst almost everyone else sticks to it and pretends every event covered is real which is hugely infuriating because we known that to be rubbish which means we feel like WWE are treating us like idiots, but we’re also being lied to by the company. The release beings with the voice over guy telling us that what follows is a collection of factions which have changed the face of sports entertainment as we know it; The Brood, The Oddities, The Straight Edged Society, Legacy, The Dungeon of Doom as well as many other prove that statement to be faux and somewhat laughable. It’s almost as if WWE now believe they can wheel out rubbish and still expect a huge revenue for it. Those days are long gone.

There are moments of quality here but they are few and far between and only occur when something previously buried is unearthed. This release would have been much more effective had the company not tried to cram in every single faction possible regardless of their standing in wrestling history, omitted those that clearly don’t belong and fleshed out those that do. I would have rather watched seven and a half hours of deep, meaningful material on ten factions than seven and a half hours of short, inconsequential material on too many factions to count. The deserving should have had at least a fifteen minute highlight package as well as talking heads from those who meant something to the group. Not anyone and everyone WWE need to get out there.

For the most part, the layout of the release is a complete jumble, jumping from one faction to the next without any sign of a link to be had. There’s is no indication of how WWE chose the included apart from the company saying to us in a clear voice “this is what we believe and you will like it”, when all this could have been avoided by holding a vote of WWE. Com, polling us about the top fifteen or less and then using a countdown to work through the inclusions based on the votes of the public. Would it have made much difference? Possibly. It would certainly have given the release a greater sense of importance had WWE ranked the factions rather than just thrown them together. The same goes for the included matches. A good percentage of them feature the whole faction which means WWE were limited to what they can include and in a lot of cases the match fails to live up to expectation. Surely it would have been much better to search for a memorable bout featuring just one or two of the members representing the faction in question. I know WWE have tried to include matches not already available elsewhere, but on this occasion, for a large part, it didn’t work.

At times, this release feels like it should have been titled ‘An Idiot’s Guide to Factions’ because for too long WWE treat us like we know nothing and it’s as clear as day this isn’t aimed at long time fans who the company clearly don’t care about any more. Instead, the whole things feels like it’s made especially for newer fans and children, that in itself is a huge turn off. If I am correct and this is made for newer fans and children then surely it’s a bigger insult than had it been made for long time audiences. In a generation where children believe John Cena is the best wrestler in history, surely WWE should be safeguarding the history of the industry and instead of entertaining and pandering to these people the company should be trying to do everything in its power to educate them on what has been before. This was the perfect place to begin, but obviously this was compiled by someone who hasn’t been around the business for very long at all.

On a title named ‘Wrestling’s Greatest Factions’ only maybe a dozen deserve to be here, which includes the Blu-ray extras as well as The Spirit Squad should have been kicked as they were terrible and I doubt anyone can yet say The Shield and The Wyatt Family whilst popular today can yet be considered for such a prestigious title, whilst the title doesn’t live up its name omitting factions from England, Japan and the rest of the world including TNA and Ring of Honor. If WWE weren’t willing to pay to include factions which they don’t own copyright for they should have found a better name for the title because this only covers factions for which Vince McMahon now owns the rights to. It certainly doesn’t cover the entire spectrum of ‘wrestling’ as the title would have you believe.

In all honesty, I can’t tell you this worth your money even though it does feature an array of quality throughout its run time, be it heavily interspersed by complete rubbish. There’s just too much pandering to people who need to learn more and too much of what WWE believes we should be thinking rather than what we actually do believe. If you’re a new fan looking to get some information on times you weren’t present for then this is for you. It doesn’t tell the full story but then when has anyone new and unsure if they’re serious about this industry been bothered about that? As for children, it’s the perfect release not that I believe anyone who owns a John Cena shirt will care for footage of The Fabulous Freebirds or believe Ric Flair is the best all round talent to ever lace a pair of boots.

Maybe this release, in its own way, says everything we need to know about the sorry state of wrestling’s audience today.

Rating: C

Next Time in Review Corner: WWE WrestleMania XXX DVD and Blu-ray

Onwards and upwards...