A – Excellent
B – Good
C – Mediocre
D – Avoid
Release Date:
March 17th 2014
Available From: www.wwedvd.co.uk
Price:
DVD £ 19.99
Blu-ray £ 22.99
(Prices from www.wwedvd.co.uk: high street prices will vary)
Format Reviewed:
DVD (3 Discs)
(Also Available on Blu-ray (2
Discs)
What It’s About:
A
retrospective of almost every match Shawn Michaels contested at WrestleMania.
Spliced together with newly recorded pre- match comments from the man himself,
from his very first to his very last WrestleMania match, this is an insightful
look at one of the greatest wrestlers of all time on the grandest stage of them
all. The place he always stood out towards the end of his career, more than
anyone else.
Strengths:
‘Going
to New York’ takes a look at The Rockers debut in the WWE from AWA and the
turmoil they faced whilst they were there. Archive footage shows Shawn Michaels
as a singles competitor in Mid-South before joining Jannetty to form one of the
best teams of all time. Refreshingly, Shawn Michaels admits to his childish
ways in the 80’s, which got him into trouble more times than not and is correct
when he states that he should be judged solely on his in ring ability. At last
someone else thinks as I do. There’s no background comment about the upcoming
match with The Twin Towers at WrestleMania V, which the release could have done
with and if you concentrate on it too long, his woggle eye is distracting.
The
Rockers vs The Twin Towers (WrestleMania V, April 2nd 1989) was the second best
under-card match on the show and is still a good watch if you can get past the
mobility issues Akeem has. Michaels gets great height on an opening dropkick
from the middle turnbuckle and The Rockers double team work is flawless seeing
as they’re against two men who weren’t renound for their technical or high
flying spots. Starting slow but picking up when Jannetty Leapfrog’s Akeem only
to land in the Boss Man’s arms it highlights how well Jannetty played the
victim. Probably one of the reasons he never achieved Shawn’s level of success.
The Rockers miss a double dropkick from the top rope when Jannetty hits first
sending Boss Man to the floor forcing Michaels to overshoot the move. A great
Powerbomb from a Hurricanrana attempt sets up the finish to a solid tag team
bout.
‘The
Popcorn Spot’ exploits Shawn’s feelings of having to get his so called ‘man
card’ with the other wrestlers in the company by partying until all hours and
then working hung over. It’s a revealing insight into a mentality of the
business back then and how wrestlers thought it wise to treat youngsters. And
they wondered why so many were dying of drug related incidents. The fact that
The Rockers never go the credit they deserved for making an impact on each show
they were booked on still seems to irk Michaels all this time later, though
he’s correct when he says that he’d rather be opening the show in a short match
rather than not be on the card at all. It’s a short but revealing angle.
The
Rockers vs The Orient Express (WrestleMania VI, April 1st 1990) isn’t thrilling
but is pacy when needed and begins with a fast and furious double dive to the
outside. Ring psychology combined with double teaming carries this match a long
way though there is a lull whilst they conform to usual tag team routine. It is
clear to see who the star of The Rockers is going to be, though The Orient
Express look excellent with slick moves which should have taken them further in
the estimation of the audiences. Heel tactics using salt in the eyes of
Jannetty who sells it by falling over the guard rail into the front is
brilliant but the countout ending spoils another solid tag team bout.
‘Championship
Aspiration’ covers the frustrations The Rockers felt at the time at never being
considered for WWE Tag Team Championship reign. Stating they were going on last
on house shows and television shows because of their popularity, Shawn airs a
valid point that if they considered the team big enough to main event low rent shows
then why weren’t big enough for a title reign. Another short segment, as are
most of Michaels’ comments but it does have some weight to it and poses a great
question I would like to hear Vince McMahon answer one day.
The
Rockers vs Haku and The Barbarian (WrestleMania VII, March 24th 1991) in some
ways is better than the first two matches. A lively outing considering one of
the men is The Barbarian. The Rockers sell well for their opponents chasing
that first WrestleMania victory, showing off their own skills when they reverse
a Dropkick into a Hurricanrana in a beautiful looking spot. By 1991, it was
clear that Shawn Michaels was being held back by his team with Jannetty. Haku
and The Barbarian work well as a tandem, pulling out some great manoeuvres, the
best being a simultaneous Hangman clothesline and a Powerslam by The Barbarian
as Jannetty comes off the ropes.
‘Time
To Make a Split’ focuses on The Rocker’s going their separate ways as Michaels
regales us with a story of how he and Marty parted ways in real life following
a pay dispute over a commercial. Wanting more than The Legion of Doom were
receiving, they told McMahon they were leaving the company because they felt
undervalued. Shawn’s shock as Vince accepted their resignation is great as is his
story about McMahon reeling him back with a promise of a singles run. Michaels
tells us he was married at the time, a little known fact which hasn’t been
admitted on DVD before and you just know that had he followed Jannetty out of
the door he would have regretted it. The best decision he could have made was
to ditch Marty and go it alone. From the way Shawn tells it, Marty acted rashly
with no backup plan and no work to go to when he left the company.
‘A
Veil of Negativity’ proves how desperate Shawn was to be higher up the card
than his WrestleMania VIII opener with Tito Santana and used in a meaningful
role, more so than just a lower card talent who opened shows and nothing else.
Rightly describing WrestleMania IX as nothing special, HBK airs his displeasure
of moving backwards by again opening WrestleMania IX as Intercontinental
Champion instead of being further up the card as the belt warranted. This isn’t
the most in depth interview ever but rarely do wrestlers old or current express
their displeasure at their position on the card, Shawn Michaels is one who has
nothing to lose and won’t feel the wrath of WWE for it. It’s almost as if he
wants to say that everyone was unfairly overshadowed by Hulk Hogan on the
night, he does state because of Hogan the company were moving backwards, I just
wish he’d have said it out loud.
‘Shawn
vs The Ladder’ puts to bed the theory that at WrestleMania X Michaels had a
match with the Ladder which was better than the one he had with Razor Ramon.
Michaels address the rumour and quashes it dead, at last giving Scott Hall the
credit he rightly deserved for such a stunning bout. Noting it was the bout
which put him on the map, Michaels can’t stress enough that it wasn’t a one man
show. He does though note that Hall doesn’t get the credit he deserves for
being such a great wrestler. At last, some truth. There could be more about how
the ladder match came about backstage and behind the scenes, but this is
sufficient enough to tell people the real truth.
Shawn
Michaels vs Razor Ramon (WrestleMania X, March 20th 1994) is another excellent
match which rose to fame because of the Ladder Match rules. Yes, this also has
been shown to death but once again for historical significance, it belongs on
the release. Had both men played safe with the ladder here or failed to thrill
the audience then it’s a possibility we wouldn’t have ladder matches today. The
match rarely slows from the outset and Ramon hits each move with such ferocity
you can believe that they’re really doing damage to Michaels. As always, HBK
sells like a pro for Ramon and his baseball slide which buries the ladder into
Razor’s mid-section looks painful but first-class. Both men use the ladder well
to the audiences delight and puzzlingly WWE censor Shawn Michaels’ bare bottom
on a release which is filled with blood loss. HBK’s splash from the top of the
ladder is an iconic moment in wrestling history and one which time almost
stands still for, whilst the slingshot of Michaels into the ladder at ringside
and the subsequent falling with it looks sublime. Ramon’s suplex slam from the
top of the ladder looks brutal but technically good as the rest of the outing.
‘Under
Stern Direction’ is an interesting little segment where Michaels talks about
WrestleMania XI and also proves that Vince McMahon isn’t always right. Going
into detail, he first tells us how he wasn’t happy at being upstaged by non
wrestling talents on the grandest stage of them all before providing us with a
story of he and Kevin Nash tried to talk to some sense into McMahon about the
spot in their match where Diesel kicks out of Sweet Chin Music at one. Shawn
says that he told Vince that if Nash kicked out of the move their feud was
based around at the one count then fans would boo, but wanting to Nash to look strong,
Vince ignored their suggestions and told them to do it the way he said. As it
would turn out, Shawn was right, they did boo Nash and Vince was wrong. The
following tales about McMahon are very funny and told with a tongue in cheek
wry smile from Shawn.
Shawn
Michaels vs Diesel (WrestleMania XI, April 2nd 1995) is a wonderful David vs
Goliath bout which hammers home its story whilst really wrapping up the
Michaels / Diesel feud in one. An excellent performance by Michaels is nearly
tarnished when he loses his temper with the cameraman he lands on in an
unplanned spot and literally drags the cameraman up the aisle. Had it been the
HBK of two years in the future he’d have gone to town on the innocent bystander
without care. Diesel plays his part well and shows weakness to sell for Shawn
Michaels which not everyone would have done at the time and though the match
almost stops when Diesel is trying to make his way back into the ring it
maintains a nice flowing pace right to the finale. Nash catching Michaels off
the top in a Sidewalk Slam will make you salivate. A Splash from the apron to
the floor from Michaels maybe look nice but the crowd chant for Sid instead of
the two grapplers. The spot mentioned in the segment above elicits boos as
Diesel powers out of Sweet Chin Music however the bout is booked so Michaels is
teased as its victor and put together well by the cogs in it. The final
Jacknife Powerbomb looks dangerous as Nash throws Michaels too far and he lands
legs fist and crumples to the mat.
‘One
Hour, No Falls’ sees Michaels taking the credit for the Iron Man Match,
mentioning to Vince simply because he wanted to go one hour with no falls. I
can neither corroborate and prove Michaels is lying here so we must take him on
face value, even if eighteen years later it wasn’t such a wise decision to have
sixty minutes without one decision. Shawn doesn’t admit that his approved
request was a mistake, which would have been nice to hear but does reflect on
his first WWE Championship victory with pride. I would have also liked to hear
Michaels admit to his awful behaviour after the bout by yelling at Bret Hart to
“Get the fuck out of my ring”. That is not mentioned. It’s a good segment but
there is very little culpability for the decisions made.
Shawn
Michaels vs Bret Hart (WrestleMania XII, March 3rd 1996) has been widely
criticised by wrestling magazines and fans alike but for many it holds majestic
memories as the pinnacle of their childhood. I am one of them. I won’t go into
detail about this match other than to say it’s a one hour plus bout with no
falls and a quite a bit of rest holds but it dips in and out pace which keeps
it exciting. Both men are top notch and even though its not the greatest match
as far as quality is concerned you can’t help but be impressed by the staying
power of both. The highlight is Shawn Michaels realising the boyhood dream at
the conclusion. A moment which will live in immortality. It won’t be to
everyone’s taste but its worth the watch just to say you’ve seen it.
‘Such
a Blur’ covers the time of Michaels’ drug fuelled last few months in the
business in 1998 without actually mentioned why those moments were a blur as
the title of the chapter suggests. Picking up at the little known ‘Outside
Incident’, where Michaels and DX were in the midst of fans when a battery was
thrown at HBK and he stormed out of the public gathering, ‘The Showstopper’ at
least admits that he stormed to his limo and drank himself into a stupor later
returning to the gathering for the planned spot with Steve Austin. His real
life arguments with Vince are uncovered though not gone into greatly and
footage of him storming out of the post WrestleMania 14 press conference and
ruining it for Austin is shown. It’s gracious of Michaels to admit that he was
selfish in that moment and could have done a lot more to aid Austin in becoming
the main event star. He can’t seem to get over the fact that he could have done
something amazing for Stone Cold but wasn’t in the mindset to do so. You don’t
see many wrestlers with the regret of not helping others.
Shawn
Michaels vs Stone Cold Steve Austin (WrestleMania XIV, March 29th 1998) isn’t
much of a match to be fair and like Michaels states in the previous segment, is
the same formula that Austin and Triple H used on Raw in the lead in to the
event. However, it does hold memories most notably of Steve Austin winning his
first WWE Championship and the punch by Mike Tyson. Michaels’ back was so back
here that its painful to watch as he takes bump after bump knowing it must be killing
him inside to do so. A competent match which could have been so much better.
Shawn
Michaels vs Chris Jericho (WrestleMania XIX, March 30th 2003) is an
unbelievably good match for someone who was still petty fresh off of his
comeback. Michaels hasn’t lost any pace here and helps make Chris Jericho a
star once again after an unremarkable 2002. Jericho holds up his end of the
deal very well, looking like Shawn Michaels in his prime and this is widely
regarded as the night Jericho learnt how to help other younger stars, like
Michaels helped him. Very fast, very slick and very enjoyable.
‘Great
Expectations’ finally gives credit to Kurt Angle for his wrestling ability,
even though he is no longer a WWE star. Shawn doesn’t spend too long on the
subject supposedly under order from McMahon not to spend a great deal of time
talking about another company’s star, but does raise a smile when broaching the
subject of not bothering about going over his allocated time in the ring unless
Undertaker was on afterwards.
Shawn
Michaels vs Kurt Angle (WrestleMania 21, April 3rd 2005) is nothing short of an
exceptional bout which showcases both men’s abilities to the fullest. Though it
begins like Michaels WrestleMania 8 bout with Tito Santana, it soon shift up a
gear with a lovely Angle Slam into the ring post. From there both men try to
one up the other with German Suplex’s, including an attempt from the apron, a
wonderful moonsault from the middle rope to the announce table and some
brilliant back and forth action it makes you want to stand up and applaud.
Sweet Chin Music into Angle Lock is brilliant and the pair build tension with
great near falls into the finale which Michaels displays the heart of a
warrior. Simply brilliant.
‘The
Boss is an...Idiot? is Shawn’s admission that his WrestleMania 22 bout with
Vince McMahon was his idea of a night off as he didn’t have to live up to any
expectation with a wrestler of equal quality. As Michaels tells of how it
backfired and he had to work twice as hard there’re moments which make you
smile when he refers to Vince as an idiot who doesn’t listen to his talent so
they don’t listen back and his tale of the ladder which was too high so he
refused to jump off, but his requests for it to be replaced with a smaller one
were ignored by Vince so he ended up doing the stunt anyway, is either funny or
highlights Vince’s uncaring nature for his talent. You can decide that one.
Shawn
Michaels vs Vince McMahon (WrestleMania 22, April 2nd 2006) was and still is an
unexpectedly amazing match which employs all the distractions necessary to
cover Vince’s flaws and amuse the audience. From Shawn posting Vince’s head
through his own enlarged cover of Muscle and Fitness to shoving Shane McMahon’s
head into his fathers exposed arse crack as Vince lives up the moment believing
its Michaels, everything has meaning and a great sense of humour to it. That’s
not to say that Vince doesn’t play his role because he does to perfection and it’s
commendable he’s willing to take such a beating just to put on a good show. The
Elbow Drop from the skyscraper of a ladder is just immense and Vince flipping
the bird to Shawn as he’s being carried out on a stretcher is priceless.
‘Nobody
Could Touch Me’ focuses on a more humble HBK appreciating the limelight and good
fortune he got the second time around. Michaels talks in depth about how he
wanted John Cena to come out a better man from their WrestleMania 23 bout than
he went in is admirable, not many have the intention of going into a match with
Cena wanting to make him better, they usually just hope their careers are still
in tact. WrestleMania 20 is mentioned but not shown, work that out for
consistency. It’s humbling to hear Michaels say that at the end of his career,
the pay off was that people wanted to be in the position to face him. That’s a
nice touch.
Shawn
Michaels vs John Cena (WrestleMania 23, April 1st 2007) is another surprising
stunner which John Cena has to be given credit for. His selling throughout this
match is almost always brilliant and consistent which is a change, if he could
do it here why couldn’t he keep it up? If anything this just proves how much
worse John Cena has gotten. A Springboard Moonsault on a standing John Cena is
brilliant and he builds the threat of a stalwart legend gunning for gold well.
Michaels counters an Attitude Adjustment into a Spinning DDT which is just
unbelievable as is the perfectly delivered piledriver on the steel steps which
gashes the back of John Cena’s head wide open. It’s not pleasant. Excellent
near falls all build the tensions and the final STF is how it should be done,
tons of pressure and no space between Cena and opponent.
‘A
Bittersweet Situation’ is Shawn Michaels talking about retiring Ric Flair, his
childhood role model and icon. HBK’s emotion at Ric Flair’s end is felt by
everyone watching this and with tears in his eyes you really feel that Michaels
didn’t want to do it. It’s almost a relief when Shawn says he knew that Flair
would wrestle again, it could have been awkward between them when Flair got
back into the ring in TNA, but that it was special for him because he knew it
would be the last time Flair wrestled in WWE and at WrestleMania. I suppose its
something. It’s a chuckle when Shawn says that Flair was an emotional wreck all
week.
Shawn
Michaels vs Ric Flair (WrestleMania 24, March 30th 2008) is still one of the
most emotional matches I’ve ever seen in my life. It’s also the last great Ric
Flair match in his career. For seventeen plus minutes, Flair once again is ‘The
Man’ and he rolls back the years as he fights for his career. Michaels breaking
his ribs on the announcers table from a Moonsault is hard viewing and whilst
there’s no time to go into the match in itself, Michaels hesitating with Sweet
Chin Music and then being almost begged by Flair to bring it on in the end are
powerful moments. The most powerful however is Shawn Michaels telling Ric Flair
‘I’m Sorry. I Love you’ before dropping him with Sweet Chin Music and ending
Ric Flair’s WWE career at least. It’s a wonderful moment in time my friends
because Ric Flair is ready for it to end, for a while at least. His urging
Michaels to nail him to end it all, is acceptance. Ric Flair couldn’t have gone
out any other way than taunting his opponent to end his career. Bring it on was
the message and he left like he fought his entire career. With professionalism
and pride. This was the perfect ending of sorts.
‘It’s
Disney World! Then It Sucks’ is a very short post-match comment with Shawn
Michaels in the studio following his retirement of Ric Flair. Almost in tears,
Michaels reveals that he told Flair he loved him after the pinfall and you
don’t need to know anymore than that. Because it’s a moment to savour and
remember.
‘The
Dive’ is the first time that WWE allow a talent to out the fact The Undertaker
falling on his head at Mania 25 was a mistake and the cameraman didn’t catch
him. It’s amusing when he says that he knew if The Undertaker wasn’t dead then
he’d finish the match. Don’t get me wrong it’s not an in depth moment, but it
is the first time it’s been covered with the truth.
‘Ready
to Come Home’ sees Shawn Michaels reflecting on if his career had ended at
WrestleMania 25. His admission that he was ready to come home and help raise
his kids is a man, like Ric Flair, accepting his time has come and that he
doesn’t need wrestling anymore to fulfil his life. His realisation there is
life beyond the ring is a nice, not everyone realises wrestling is just a small
part of a bigger picture.
Shawn
Michaels vs The Undertaker (WrestleMania 25, April 5th 2009) and Shawn Michaels
vs The Undertaker (WrestleMania 26, March 28th 2010) are both equally brilliant
and whilst Mania 25 is a stunner, Mania 26 is the end of Shawn Michaels’
wrestling career and I believe he will stick to the stipulation. Michael Cole
has one of the best calls ever when Michaels is coming down the aisle for the
final time as a wrestler and Cole belts out “As the sun sets on the Arizona
desert, is it setting on the career of Shawn Michaels” what an emotional punch
that is knowing how it ends. It’s hard to pick between the two bouts, they both
hold great moments and in their own way are both exceptional. However the end
of Michaels’ long and storied career which your Wrestling God followed from
beginning to end is a highlight. The moment when Undertaker looks down at
Shawn, all the sadness in the world on his face and begs his long time friend
and nemesis to stay down is so powerful. Like Ric Flair, Shawn goes out as he
wrestled his career, defiant. Slapping The Undertaker across the face, Taker
drops him with a stunning jumping Tombstone Piledriver. It’s a fitting ending.
‘The
Way It’s Supposed to Be’ is Shawn Michaels at peace. There’s no regret here.
Nothing he’d go back and do differently and in the end that’s the greatest
victory anyone can have. It’s interesting to listen to Shawn sum up his career,
saying that his personal victory, after all these years was to elicit sympathy
from The Undertaker both professionally and personally. Taking pride in
breaking The Undertaker character for a few special moments, Michaels says with
a completist smile that he broke the unbreakable. His pride that the character
went out the way he’d lived through his career, from underneath, makes you want
to stand and applaud; because he’s had a marvellous career which I doubt will
ever be matched. His admission that he knows he could still get in the ring and
do it now and do it better than anyone is good enough for him.
Weaknesses:
Shawn’s
comments about how good The Rockers were, is all very nice and that, but the
release doesn’t allow him enough time, by design or mere fate, to enter huge
detail. Not just about The Rockers, but about every subject. Had WWE allocated
each comment ten minutes, we could have been given stories to remember instead,
in some cases, passing comments which have no bearing. Back on The Rocker’s
subject, there’s no mention of what their party lifestyle involved. The heavy
drugs etc may have been covered on other releases but there’s no reason not to
include it here even just in passing. I know WWE don’t want its child audience
to know about the darker side of wrestling but I kind of think it could be good
for them. If they see what these drugs do to wrestlers they love and respect
then they’re less likely to experiment or even try them themselves.
Shawn
Michaels vs El Matador (WrestleMania VIII, April 5th 1992) is so boring that
with all of its rest holds it could have just come straight out of the 60’s.
New as a singles star, you would have thought that Michaels wanted to put on a
high flying, pacy show to hammer home what he could do. But he never gets out
of second gear. Santana is better than this, but instead of helping the young
Michaels he simply puts him in a headlock and sits down for five minutes at a
time. It’s just horrible. To make matters even worse, the ending is botched and
looks an awful mess. Instead of just falling backwards with Michaels on top,
Santana resembles someone who has just been shot, staggering back and slumping
to the canvas.
Shawn
Michaels vs Tatanka (WrestleMania IX, April 4th 1993) is slightly more exciting
than the previous WrestleMania bout but not by much. Tatanka was never
Intercontinental Championship material and should never have been pushed into
this position. There are moments which break the monotony, such as a great
Armdrag by Tatanka as Shawn comes off the top rope but in the end you can’t
polish a turd and Tatanka’s flaws show. As the recipient of a Sunset Flip, he
botched the move jumping when he only needed to fall, landing square on
Michaels chest before he goes to his mind numbing Arm Locks. Once again the
ending is a complete hash. Pulling the referee from the ring, Shawn Michaels
then gets pinned by Tatanka which the referee goes to count and then rings the
bell ruling the match ended via countout. Why bother to go and count the fall
then and shouldn’t it have been a disqualification?
‘Young
In My Salvation’ doesn’t shed any light on the thought process behind Shawn
Michaels returning to the ring at SummerSlam 2002. Instead, it’s made out that
Michaels is coerced back by one meeting with Chris Jericho on Raw and goading
by both Jericho and Vince that a WrestleMania match would be huge. Yet Michaels
returned months before WrestleMania 19 and competed at SummerSlam, Survivor
Series and Armageddon 2002 before even getting into anything with Jericho, so
someone has gotten their wires crossed somewhere.
‘No
Question Marks’ like its predecessor adds nothing to the already well trodden
ground of WrestleMania 25. We all know how good it was but this could have done
with some background and backstage explanation about why the pair were chosen
at Mania 25. There’s nothing here we don’t already know.
Blu-ray Exclusive
Extras:
WrestleMania V – April
2nd 1989
The
Rockers Talk About The Twin Towers
WrestleMania X – March 20th
1994
Shawn
Michaels Talks With Rhonda Sheer
Shawn
Michaels With Pamela Anderson
WrestleMania XI – April
2nd 1995
Shawn
Michaels and Sid Talk With Nicholas Turturro
WrestleMania XIX –
March 30th 2003
Shawn
Michaels Post Match Interview
WrestleMania XXVI – March
28th 2010
Shawn
Michaels Says Goodbye Backstage
Friends
Leaving the Company
Because
You’re a Girl
One
Demand For Ric
The
‘Flair’ Watch?
Hell
to Pay
At
Least the Dude’s Got Balls
End
of an Era
Mr.
WrestleMania vs The Streak
The
Shawn Michaels Encore Tour
WrestleMania
Wish List
Flair
– Michaels – Jericho
Conclusion:
‘Shawn
Michaels – Mr. WrestleMania’ is an excellent collection of Shawn Michaels
WrestleMania matches even if it is incomplete. Being touted as every
WrestleMania match HBK ever had, there is one glaring omission in WrestleMania
20 simply because it involved Chris Benoit. Now WWE are showing Benoit’s
matches on the WWE Network and he’s been featured on other releases even if the
commentary has been edited out where it mentions his name, there is no reason
to have left this match off. Unless of course someone simply couldn’t be
bothered to sit and edit out the commentary with his name in it. But then just
leave it in and stop trying to short change us.
The
only real problem I have with this release is that the links between matches
are too short. Apart from including his fabulous farewell speech the night
after WrestleMania 26, this couldn’t really get any better, but then thanks to
the subject matter it was always going to be of very high quality. Every bout
after WrestleMania 14 is of excellent quality though now there is nothing else
WWE can release on Shawn Michaels, they’ve done it all. So now let’s leave the
past where it is and move on to releases on newer stars or failing that older
stars we haven’t had releases of yet such as British Bulldog.
It
has its flaws, but in the end you cannot deny its brilliance.
Rating: A
Next Time In Review
Corner: WWE TLC 2013 DVD and Blu-ray
Onwards
and upwards
